Best Free Bass Vst Plugins

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  1. Best Free Brass Vst Plugins
  2. Best Free Bass Vst Plugin
  3. Best Free Bass Amp Vst Plugins
  4. Best Bass Vst Plugins Free

Recording directly is as popular as ever nowadays. Loading up an amp sim is great for conveniently jamming, practicing, and recording bass without having to assemble a ton of gear.

This new wave bass synth VST is great for hip-hop, trap, and future bass genres. From classic 808s to strong sub-bass sounds, everything feels punchy and solid on almost every sound source. The benefit of SubLab is that the workflow is amazingly intuitive. Free vst instruments to download: best free bass vst plug-ins to download that will enrich your work space of the big bass sounds.

With this ongoing trend, there is a vast virtual sea of amp simulators on the market to choose from (free and paid!)

Unfortunately, the majority of amp sims today are heavily tailored towards the six-string guitarists, while the bass players only get a fraction of bass amps and presets to choose from.

About This Post

From my experience learning bass and my love of amps sims. I have taken the time to construct this roundup post of the best amps simulators that are more tailored towards the bass players in 2019.

Working with virtual studio technology (VST) plugins is tremendously convenient, but a lot of the best VST plugins out there are very expensive. If you're looking to expand your library of VST instrument (VSTi) plugins, or tweak your mixes with some great effects or MIDI effects VST plugins, you can do it for free. On Samara Cycle Audio, you can find a big collection of free VST instruments and effect plugins. One of them is Om Bass 2, a much-improved successor of the original Om Bass. This VST plugin is a fun one: With 128 presets to try and a ton of settings, you can shape your bass tone to your liking. Get the 200 best free VST plugins ever made. From synth VSTs and drum VSTs to VST effects, this huge list has only the best of the best plugins.

Jargon Busting

Plugin: (A programme application that can open within a DAW (Digital Audio Workstation) to enhance audio-related functionality.)

Standalone version: (A software that can open independently within the desktop without requiring to open inside a DAW to make use of its features)

#1 – Amplitube 4

  • Price: €149 (base version)
  • Bass amps: 1
  • Standalone version: Yes
  • Demo version: Yes
  • Plugin: Yes
  • Win/Mac
  • 64-bit only

Created by IK Multimedia, Amplitube 4 is one of the top dogs when it comes to amp simulators. Amplitube 4 includes the most detail and depth when it comes to tone sculpting and the most realistic sounding selection of bass amplifiers on the market.

In my opinion, this software is one of the best-paid amp simulators, offering players iconic and infinite amounts of tone creation with an impressive level of detail and sonic realism.

The interface also looks visually appealing and very easy to navigate for creating an arsenal of bass presets at will.

The level of customization in Amplitube 4 is insane, everything from…

  • Iconic modeled amps (guitar and bass)
  • Effects (stompboxes, distortion, reverb, modulation, delay etc)
  • Room ambiance simulation
  • Microphone selection and placement
  • Cabinet customization
  • Rack effects
  • Power tube customization
  • Built-in recording suite
  • Impressive visuals and interface
  • Tuner

I could go on for days about how detailed this programme is when it comes to tone sculpting. There is so much in this programme that will satisfy most tone freaks including the bass players.

The interface is easy to set up your ideal rig which can run in both standalone for practicing and jamming or a plug-in to record within your selected DAW.

The Base Version

When it comes to usability for bass players presets, the Base version only offers a single solid-state bass amp.

With that said, the level of customization with all aspects of your rig will be enough to keep you going and offer a lot of tone-sculpting options.

However, when you want to expand in tones with the likes of more bass amps, effects and presets here’s where the problem begins.

The negative with this sim is not the features and tones because they are spot on, the problem with Amplitube 4 is its pricing structure! Let me explain…

Best Free Brass Vst Plugins

Pricing Structure

The negative with Amplitube 4 is as detailed, real, and accurate the presets sound. To get the full experience with a satisfactory amount of bass amps, cabinets, effects, and bass presets. You have to be willing to shell out a small fortune.

Either in the form of buying the ‘deluxe version’ which is not cheap at €299. Or buying the base version and paying for the official ‘Ampeg expansion packs’ or paying for individual amps and effects via the ‘IK Custom Shop.’

(The ‘IK Custom Shop’ is an online store to purchase and download extra packs or separate amps to your rig.)

Most Affordable Option

The Deluxe version includes a ton of regular guitar amps but when it comes to the bass players, the deluxe version only includes a grand total of 3 bass amps (they do sound great though.)

The cheaper option would be to buy the ‘Base version’ at €149 and purchase the separate bass amps/packs and or any patches or effects you want from the IK Custom Shop.

The IK Custom Shop good for hand picking the amps, effects or whatever you want in your custom rig.

The problem is however, this can rack up a big bill fast as separate patches do not come cheap when purchased independently which quickly turns this amp sim into an endless money pit.

Why Amplitube 4?

Amplitube 4 is the option for bass players who want to invest a fair bit of money into a solid, usable, and fantastic sounding amp sim with tons of tone customization.

It is true that you pay for what you get in life and this is definitely the case with this software.

This option It is a little pricey but you will be rewarded with the investment of a solid amp sim to use for years to come with a crazy amount of tone customization and great sounding bass tones.

Which Version?

The version you go for depends on how far you want to invest for all of the bass presets.

Having the full programme would be ideal if you play guitar on the side or an avid recording bassist who wants the full palate of tones at their disposal.

In this case, Amplitube 4 is one of the most popular and overall best amp sim to give you an infinite amount of tones for your bass recording and jamming requirements.

Pros

  • Amazing sounding guitar and bass presets
  • Endless tone customization
  • Tons of features
  • Easy to create presets and your ideal rig
  • Use as standalone version or plugin
  • Ultimate all in one amp sim

Cons

  • Expensive investment
  • Have to invest money to get additional bass amps
  • Only supports 64-bit systems
  • Cheaper alternatives

2# – Bias Amp 2

  • Price: $299 (Elite version)
  • Bass amps: 4
  • Demo version: Yes
  • Standalone version: Yes
  • Plugin: Yes
  • 32 & 64-bit systems
  • Win/Mac

Bias Amp 2 is somewhat different from most amp simulators. Most sims give you a selection of amps to twiddle and tweak the EQ parameters or even a few boost options.

However, Bias Amp 2 essentially allows players to build and design your own ‘custom bass amp’… literally from the ground up.

Players have the option to tweak the smallest details that go into amp design such as transformers, power tubes, preamp tubes, biasing, power supply and shelf frequencies.

And all these small details will affect the overall tone of the amp. For example, the way you tweak the transformers will affect the sound of the upper midrange.

This is a single example of how amazingly detailed this amp sim can be for sculpturing and creating your perfect core bass tone which will please all the tube amp players out there.

Features

The programme includes 4 bass amps presets which as mentioned, can be heavily tweaked and customized to your personal preferences when it comes to amp design.

This is before dialing the amps EQ or playing around with the selection of microphones, microphone placement, and cabinet speaker selection.

This programme gives the heavy tweakers and tube amp purists a field day when it comes to shaping your perfect bass tone.

This amp simulator focuses heavily on the level of customization that goes into the core amps design and elements which is good for tube amp purists.

Other features include theTonecloudwhich is an online community allowing users to upload and download amps presets created by members of the community.

Allowing users to audition and download some of the best presets rated and uploaded to the cloud adding users to share their best tones.

A noise gate is included and a selection of reverbs types to choose from with customizable parameters to dial in an ambient reverb to go with your perfect bass amp.

Sound

When it comes to sound and authenticity of a real tube amp, Bias Amp 2 has redesigned the previous engine used in the original Bias Amp.

Improving the responsiveness and realism when it comes to the dynamics, frequencies, and nuances of the sound of their line of tube amplifiers and cabs.

This new engine software, the tones are authentic and sound great when DI through any recording software adding a level of realism to any dry bass signal.

The Negatives

The only let down about this sim is there are no usual stompbox effects such as distortion, overdrive, flanger, phaser, or special effects etc like in other sims.

Another negative is that you have to pay the full price for the elite level to get the full experience which is not cheap at $299.

Saying that however, with the level of customization from this sim there is a lot of features and some great professional tube amp tones available from Bias Amp 2.

Pros

  • Detailed and in-depth amp sim designer for bass and guitar
  • Authentic and responsive sound
  • High level of tone customization
  • Standalone version
  • Tonecloud community
  • Amp matching feature

#3 – Helix Native

  • Price: $399
  • Bass amps: 13
  • Standalone: No
  • Demo Version: Yes
  • Win/Mac
  • Plugin: Yes

Helix Native by Line 6 is one of the most expensive amp sims on this list but offers a huge array of presets. Including 60 amps, (13 bass amps), 30 cabs and 100+ effects accommodating nicely for bass players.

Helix Native features the most bass amps on this list all modeled form popular and iconic bass amps from ‘Hiwatt,’ ‘Ampeg’ and ‘Mesa Boogie’ for example.

Features

The interface follows a simple design of dragging, dropping presets into the signal chain with each aspect of the rig can be shaped with the designated sliders to change the dynamics of the sound.

This sim caters in the effect department with everything you could want for shaping your ideal tone and experimenting with sounds.

  • Distortion
  • Dynamics
  • EQ
  • Modulation
  • Delay/Reverb
  • Pitch Shift
  • Filters etc
  • Wah
  • Synth

This amp sim may not be the most visually appealing. But with lots of things going on inside a DAW, users can be thankful for the simple function of creating authentic bass tones without a cluttered interface. Excessive menus and other bells and whistles can distract from the usabailityin my opinion.

The Negative

The elephant in the room with this amp sim is the price! It is one of the most expensive options n this list and seems a lot of money for an amp sim just for using for bass.

On the plus side, you will have professional bass and guitar recording producers covered with a large number of amps, effects, and features.

This option would be a suitable option if you are a bass player that plays guitar on the side. Or if you happen to record other guitarists as a producer in a home studio situation.

Pros

  • Simple interface
  • Versatile selection of bass amps and cabs
  • Realistic tones
  • Large selection of effects
  • High level of tone customization

#4 – Softube Bass Amp Room

  • Price $149
  • Presets: 1 amp, 3 cabinets
  • Standalone Version: No
  • Free Demo: Yes
  • Plugin: Yes
  • Win/Mac

Bass Amp Room by Softube stands out from most sims. Most programmes aim to please the masses with a ton of presets, effects and other bells and whistles. ‘Bass Amp Room’ from Softube however, do things differently…

Bass Amp Room only includes the one charming bass amp and a selection of 3 cabinets to choose from. So why am I recommending this considering the lack of bass amps?

The reason is that Softube have focused all their time and energy achieving the most ‘accurate’ and ‘realistic’ core sound from both head and 3 cabinets using their advanced modeling technology.

Although the interface looks simple, don’t underestimate the quality of tones from this sim. They are one of the most authentic that I have heard from any bass amp software.

What’s Included

The one available bass head replicates the iconic ‘Hiwatt DR103’ head while the bass cabinet is based off a classic ‘Ampeg’ 8×12 cab.

Bass Amp Room does an incredible job of simulating the tonal and sonic qualities of a bass tone down to the tee. Although added features are scarce, I will admit, the bass amp sims are one of the most authentic tonally.

The tone shaping abilities offer a good level of customization allowing you to modify the core building blocks of a tone. Everything from…

  • Amp Head EQ
  • Click and drag microphone placement
  • Microphone tilt (off axis)
  • DI EQ controls
  • Pickup input gain
  • Tone blending features

Unfortunately, Bass Amp Room doesn’t include any stompbox effects or features such as tuner, additional bass amps or a standalone version but does include a free 20-day demo version to test it out.

A good way to utilize this programme is to use it in your DAW to create an authentic raw sounding bass tone.

Then enable desired plug-ins to build on the tone in the form of effects adding ‘icing on the cake’ sounds and effects that are unavailable in the software.

Pros

  • Authentic sounding bass tones
  • Versatile tones for most genres (rock, metal, funk, jazz, etc)
  • Enough tone shaping customization
  • Solid sounding bass tones for recording in a DAW
  • Dial a tone in quick without overcomplicating anything

Cons

  • A tad on the pricey side for one bass head
  • No standalone version
  • No stompboxes or effects
  • No additional amps or cabs to expand in sounds

#5 – GTR-3

  • Price: $49
  • Bass amps: 7
  • Standalone: Yes
  • Plug-in: Yes
  • 64-bit only
  • PC/Mac
  • Free Demo: No

GTR-3 by Waves for the price, includes a great number of bass amps and stompboxes rolled into a simple and compact interface for easy tone customization. This software is well equipped for bass players with the inclusion of 7 bass amps.

The GTR-3 replicates bass tones with impressive accuracy adding a level of realism to any bass signal with any DAW and audio interface.

The pedalboard allows 6 designated spaces for stomp boxes with a selection of 26 effects which can be modified to add a surprising level of tone sculpting. It also runs a standalone version for running on the desktop without having to load it up as a plugin in a DAW.

I must admit, GTR-3 is not as heavily loaded with features as the other amp sims, excluding some features such as microphone customization, room ambiance, built in recording etc.

However, for the price, you do get a lot of great sounding amps and effects which in the grand scheme is great value for money.

Best for

This programme may not be for the tone twiddling freaks out there like other amp sims. However, this programme does not make too much of a deal and is designed and marketed to be simple and straight to the point.

GTR-3 is a good option for any bass players who are maybe new to the amp sim world. Possibly looking for an easy to use guitar modeling software who are not looking to spend a fortune first time around.

Pros

  • Simple easy to use
  • Affordable
  • Authentic sounding amps and effects
  • Standalone version

#6 – GK Amplification 2 Pro

  • Price: $79
  • Bass Amps: 3
  • Free Demo: Yes
  • Standalone: Yes
  • Win/Mac
  • Plugin: Yes

GK stands for Gaillain and Kruker. For all of you who are unaware, GK is a high-end bass amp and cabinet manufacturer based in the US.

GK Amplification 2 Pro is an affordable and versatile bass amp sim offering 3 popular emulated versions from their line of bass heads for adding to your mixes or jamming on the side. The heads available are the popular CK bass head models.

  • GK MB150
  • GK 800RB
  • GK 2001 RB

This sim also offers a large selection of cabinets to match with your ideal bass head. A good feature is combining 2 speaker cabs for a mash and blend of cabinet sounds allowing a good level of tonal customization.

The main tonal options you can customize with this amp sim are…

  • Bass Head EQ
  • Boost option
  • Voicing filters
  • Microphone positioning
  • Microphone type selection
  • Microphone angle
  • Cabinet tone blending

GK Amplification Pro 2 programme includes a metronome and track recorder which is useful for recording moments of inspiration and creative ideas in the standalone version. This programme is available for use as a plug-in within a DAW.

Overall this programme is an affordable, easy to use and great sounding amp sim for dialing in solid bass tones for recording or jamming. There are no effects in the form of stompboxes which can leave users feeling a little empty handed for experimenting with sounds.

I would say this software is more geared towards recording in a DAW for adding addition plug-ins for effects, therefore, adding more tone shaping capabilities.

Pros

  • Gallain-Kruker bass tones
  • Simple interface
  • Recording track
  • Metronome
  • Affordable
  • Good amount of tonal shaping
  • Standalone version

#7 – Ignite Amps SB-1

  • Price: Free
  • Presets: 1 Amp
  • Standalone version: No
  • Win/Mac
  • Cabinet plugin Required: Yes
  • Plugin: Yes

The SHB-1 is a virtual simulation of the actual real-life SHB-1 amp head created by Ignite amps for the bassist Frederico Fulceri of metal band ‘Subhuman.’

Every component in the real amp including the circuitry and tube technology was considered to create the most accurate and well represented simulated version of the SHB-1 bass head as functional plugin.

It’s no surprise then the SHB-1 plugin is a modeled aggressive sounding bass tube head, transforming a dry bass signal to a distorted, aggressive and mid focused metal sound without changing the core dynamics of the bass tone.

For me, this is where the plugin sounded at it’s best as it is voiced to sound aggressive and metal. What I liked about this plugin was the simple interface with a good amount of EQ and tone shaping controls for a free plugin.

I must say the amp head is surprisingly versatile, I have used this preset (before going to paid simulators) on many projects and was able to shape a number of bass tones across a range of genres.

I must admit, the SHB-1 plugin sounded at its best for sculpting an aggressive and distorted tube amp tone for my metal tracks.

When it comes to function, this plugin serves as a recording tool inside your DAW than a ‘standalone programme’ for real-time practicing and jamming. This programme also requires a matched cabinet simulator when you load up the plugin inside your DAW.

Overall, the SHB-1 serves as a great free simulator for creating a versatile palate of bass sounds for recording and achieving a range of worthy studio bass tones within your recording software.

Pros

  • Free
  • Simple interface
  • Great sounding bass tube head plugin
  • Supports 32 and 64-bit systems
  • Great amp sim for recording

Top Tip

When recording bass inside your DAW, activate up to 3 separate tracks, each track with a different amp sim enabled. This will blend a range of sounds to achieve a unique tone allowing the bass frequencies to stand out ever so more in a full instrument mix.

You could also assign each individual amp sim to focus on the frequencies ranges of the tone. For example, one on the high, one on the mids and one focusing on the lows.

It’s always a good idea to utilize a few amps sims instead of relying on one to provide 100% of the tonality and do all the work.

Final Word

Before buying a paid amp sim, I always recommend first downloading the free demo version of the programme. So you can trial which one sounds best to your ears and meets your requirements in a bass amp sim.

This post has brought you a selection of the best bass amp simulators for all of your recording and tone tweaking needs, thanks for reading!

Before you go, there are other ways to amplify a bass guitar for practicing without amp simulators…

I recommended you read my post “Plugging a Bass into a Guitar Amp.” This will explain how to get a workable bass tone for practicing without needing to invest in a bedroom bass amp.

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The key to any good mix is a balanced spectrum of frequencies…

Finding instruments that compliment the kick without drowning out its delicate range can be extremely difficult. Luckily for us, the sub-bass exists and serves as the unsung hero of energy and strength.

With so many Sub Bass VSTs out there, it can be tricky to pick out your ideal bass amongst all of the options. The Sub Bass, although limited in application, can completely affect the overall mood of a track.

Since many VSTs are built genre specific, it’s also important to sift through the specs of every potential candidate, before committing to one to fill your specific needs.

We’ve done the homework for you, and have compiled a few of what we consider the best Sub bass VST plugins on the market.

Other Helpful Guides:

Loopmasters Bass Master

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Loopmasters Bass Master totes itself as a synth dedicated to “the art of bass.” Other than that claim, it’s overall an impressive plugin for its affordable price.

The plugin has 127 different waveforms built in and is used for mainly electronic music. The plugin caters to a range of experience levels, as its user interface is friendly and laid out in a way that makes it easy to quickly find a sound that suits your needs.

Features and Specs

With 350 included presets, the Bass Master can be used as a diverse soundbank if nothing else. It is based around two sample-based oscillators, which Loopmasters feels adds a retro feel to the plugin.

The VST comes with bass boost, which can be used to fill in a lacking low end. In addition, there are 13 filters within the plugin to further craft the sound. The VST also has three mappable control knobs on the interface itself and embedded in each of the filters.

The direct out controls on the interface mean that the sound can be mastered and compiled within the plugin, to produce a more polished sound. It’s also armed with internal distortion, chorus, and reverb, furthering processing possibilities.

Above all, the Bass Master takes up an impressively low amount of CPU. These detail might seem insignificant, but low end based plugins are typically notorious for taking up way too much of your computer’s power.

Although critics may find the lack of oscillators limiting, the Bass Master is great for getting a decent sound quickly and for bass beginners alike. Many like that the plugin is relatively simple, which reflects the nature of most desired sub bass sounds.

Bottom-Line

As your technical skills progress, it may be time to switch over to a plugin with more built-in mappings and features. However, for the price, the quality of the Bass Master is undeniable, and the preset sounds alone make up for any shortcoming. The Loopmasters Bass Master is quick to get you a bass sound without compromising your budget or computer speed.

DopeSONIX Bass Engine 2

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This plugin is made for hip-hop and modern rap with a focus on a wide, fat, warmer-toned sound. DopeSONIX Bass Engine is uniquely inspired by 3 eras of hip-hop and is organized as such. Whether you’re looking to travel to the early 2000s or the 1990s, the Bass Engine will help you get there.

Features and Specs

Although it does not have adjustable oscillators, the bass engine is built in with the standard Attack, Decay, Sustain, and release controls. Moreover, the plugin was built to be a fast track to desired hip hop sounds. The lack of technical customization is deliberate, and in exchange offers efficiency with 300 preprocessed sounds ready to be used directly in a project. Moreover, rifling through presets is quick and easy- You won’t have to painstakingly wait on each patch to load.

Coupled with this factor, the DopeSONIX takes up a minimal amount of CPU, so it’s a great VST to use, even on low powered laptops/tablets. You have the added bonus of being able to program bass sounds within the plugin, so you don’t have to stress about always having a midi controller on hand.

Need some inspiration? The DopeSONIX Bass Engine 2 comes with 50 Hip Hop midi bassline patterns that can be edited or exported to get your mixes going. For minor adjustments, the VST has built-in glide, pan, and drive controls. To add to the retro vibe, Bass Engine 2 is equipped with an analog-inspired reverb. It is very affordable without sounding so.

Bottom-Line

Above all, the DopeSONIX Bass Engine 2 presents a refreshing look at the sub bass- Its unique organization by decade reflects real respect for the hip-hop genre as a whole and has the sound to back it up. Although some may be bothered by its lack of personalization and technical controls, it presents a quick way to get to a hip hop specific, quality, sound without the distraction of sometimes superfluous controls.

JST Sub Destroyer

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JST Sub Destroyer, although powerful, does not act as a standalone instrument. Rather, it can be added to existing instruments to add more girth and punch to your sub bass sounds. Moreover, it has a niche in EDM music for creating wobbly synth noises, often seen in genres such as dubstep.

Features and Specs

The Sub Destroyer has a simple look to it with few controls. When added onto any track, it can convert the signal to four different wave types: Triangle, Square, Sawtooth, and Sine. It includes two different visualizers, one by waveform, and the other by dB meter, so you can easily track where your frequencies and levels are hitting.

It has two main knobs- A standard lowpass filter and a volume knob. On the drive knob, there is a smaller character adjustment, to add interest to your sounds. Moreover, there is a “harmonic enhancement” feature to bring out those resonant tones that may be difficult to capture otherwise.

Best Free Bass Vst Plugin

Classical and midi automation can be done within the plugin. The VST itself is super affordable and doesn’t take up a large amount of CPU, partially since it is not a standalone instrument.

Bottom-Line

The simple JST Sub Destroyer is a great addition to any preexisting bass sounds that need that extra boost. The lack of built-in sounds is a slight drawback, as the plugin is great at producing what it promises- Width to any low end quickly and efficiently. Overall, the plugin is great for the price and gives the community an option to alter preexisting sounds, rather than replace sounds completely.

FAW SubLab

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The FAW SubLab synthesizer plugin is very versatile and is used in mainly future bass, trap, and hip hop sounds. For those looking for a punchy 808, the SubLab has all you could want. It’s composed of three different sound engines: A sampler, a unique sub bass oscillator, and a standard synth. The layering of these three entities is sure to make a sound that stands out.

Features and Specs

SubLab comes with 250 analog style kick samples and 6 different bass modules. Most notably, the plugin comes with a pitch auto-adjust feature for any Sub signal. Any sample dropped into SubLab will automatically be pitch analyzed to maximize efficiency.

Moreover, this feature is coupled with a spectrograph, so that you can visually detect where your sub’s frequency lies in comparison to the rest of your track. In order to highlight the kick amongst the powerful subs provided by the plugin, FAW has included a built-in sidechain compressor to achieve this effect quickly and easily.

The VST also comes with a widening tool, which is especially useful since 808s are historically mono processed signals.

For the classic hip-hop distorted 808 sound, Sublab comes with 4 different types of distortion. Moreover, any 808 kick can be turned into a Sub with the Zero-Crossing method. Essentially, the plugin will detect the most sustained section of the kick sample, and loop it, making it appear longer. For what it’s worth, the plugin is pretty affordable.

Bottom-Line

Overall, this plugin is super worth it for the price. Some engineers might find it limiting as it is mainly geared towards 808 hip hop and trap styles. However, the sample pitch matching feature alone makes the process of producing much easier. The 808 as an entity is relatively modern so it’s definitely worth investing in a plugin that truly understands it inside and out.

Softube Monoment Bass

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Softube’s Monoment Bass is focused on creating basslines that stand out in the mix. Ideal for house and electronic music genres. It was created through collaboration with household DJ names such as Vandalism and Madison Mars. Each of these artists, along with a couple of others, have set presets within the plugin, each adding their unique take to what it means to have an exceptional bassline.

Features and Specs

The plugin itself is centered around a single, but powerful bass synthesizer. Monoment Bass includes a number of built-in samples, all sourced from boutique or small-batch synthesizers and instruments. The built-in synth and imported/embedded sounds can be layered within the plugin to create a unique low-end that stands out in a mix.

These sounds can also be detuned or pitch adjusted to add interest. For further tweaking, the plugin includes a couple of features to edit signal texture. Along with a section dedicated to ambience, Monoment Bass highlights an “aging” knob, which is a unique combination of distortion and pitch shifting to emulate a more vintage feel.

All of the sounds included on the plugin are stereo sourced, making all samples sound lush and wide. Softube states that samples were also recorded in “triplicate”, meaning that each sample is available in every key and tonation, expanding your possibilities as a producer. The plugin is very affordable and well worth the cost, especially if you’re looking for a good source of retro bass sounds.

Bottom-Line

All in all, the Monoment Bass is a good buy. Although it is limiting in that all samples are exclusively stereo, the plugin is very user-friendly and allows one to get the stand-out bassline they need in a short amount of time.

Rob Papen SubBoomBass 2

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The SubBoomBass 2 is an impressive instrument known for its low-end synth sounds and occasional percussive elements. It includes all the presets from the previous version, and has an endless amount of effect knobs so that you can get really specific with the sounds you’re creating. With its versatility, this synth is used for anything from film scores to pop music. Let’s dive into the SubBoomBass 2’s most notable features.

Features and Specs

This plugin is definitely one of the more intense ones. With over 1,900 built-in presets, the possibilities are endless. Although the instrument is only equipped with two oscillators, the interface automatically routes these signals to filter/envelope sections, so that the sounds can be ornately edited and crafted.

Moreover, there are more than 128 waveforms alone to choose from per oscillator. The plugin has two built-in sequencers, including a distinct 16 step sequencer to give the user a visual of their sound.

SubBoomBass 2 includes a modulation matrix, focused around altering the texture and shape of tones. Within the matrix, there are multiple effects to choose from. These can be added directly onto the oscillator, or used for adjustments during post-processing.

With so many options, the SubBoomBass 2 may take up a good amount of CPU depending on your device’s specs. The VST is super affordable for all that is included.

Bottom-Line

This instrument overall is a great resource for unique sounds and a plethora of signal possibilities. Although it may be heavier on the usage side of things and not as friendly of a user-interface, for its preset library alone, this plugin is well worth the cost.

Other Notable Mentions

Best Free Bass Vst Plugins

Native Instrument Massive

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Native Instrument Massive is a famous and powerful wavetable synthesizer used among mainly electronic producers. This instrument is made to be strong… With 3 built-in oscillators and an additional one for modulation purposes, there’s no doubt your computer will need to work hard. Despite this drawback, Massive proves to live up to its name in the best of ways. The synth is packed with wide, high-quality sounds designed to make your mix shine.

Massive is packed with macro mappings and modulation knobs for increased control. Due to the abundance of features, the user interface can appear a bit cluttered, so it may take a little longer to get to the sound you need. However, with more specificity comes the potential for a more distinct, high-quality sound. The 3 oscillators within the plugin come with 80 different presets to experiment with. Notably, the VST has routing and voicing controls within the interface, giving more power to the user. Modulation settings can be dragged and dropped onto different channels, making creation easy, once the basic controls are understood thoroughly.

Massive requires a bit more up-front financial investment, but for those looking to dedicate themselves to a worthwhile synth, Massive is a superb option.

Xfer Records Serum

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Serum is a well-known synthesizer among novices and professionals alike. Known for its use of wavetable synthesis, this instrument is versatile and powerful. Although bass sounds are not the main purpose, Serum offers a large selection of low-end presets. Generally used for electronic music, this synth includes 10 different effect modules alone, allowing the user to craft the sound of their dreams.

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Serum’s most basic set-up consists of two wavetable oscillators, noise generator, and a sub oscillator. The sub oscillator is unique to the synth and can give your low-end the touch it needs to stand out amongst other tracks. The oscillators were engineered for studio-grade performance, and preserve higher frequencies often lost during traditional mixing. Each oscillator can have up to 16 voices. Serum is definitely not light on the relative price point or CPU usage, but for all that’s included, it is well worth the price. The synth is loaded with 450 presets and 144 different wavetables.

Aesthetically speaking, Serum is formatted out in a very user-friendly way. With a central keyboard coupled with multiple visualizers, the synth is accessible to beginners, yet allows for further growth due to the breadth of the plugin. All in all, it is a great synth to add to your arsenal, regardless of whether or not you are focusing on spicing up a low-end.

Spectrasonics Trilian

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If you’re seeking a more conventional bass sound, i.e one emulating a physical instrument, Spectrasonics Trilian is an excellent option. Trilian has 60 different bass instrument patches, mimicking that of stand-up, acoustic and traditional basses. Each of these patches has additional voicings and styles included. Trilian shines best in pop/electronic genres.

In addition to the traditional sound, Trilian also offers over 300 samples from big name synths (Korg, Roland, Dave Smith, etc.). The VST allows you to select articulation patterns as well, making the sounds appear even more organic. The interface can be toggled to your preferred viewing- Spectrasonics includes a rack or text view. Unfortunately, you cannot import your own samples into Trilian. The plugin is a little pricey, but more than fair considering its over 100,000 distinct sounds. Your CPU might be compromised whilst using Trilian, but you have the option of downloading only the patches you need to help alleviate the burden.

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Trilian is a great option for getting those tricky acoustic bass sounds. Moreover, its synth sample library is impressive, making it a worthwhile purchase for many projects, regardless of genre.

Final Thoughts

Sub Bass VSTS are essential to creating mixes with power and depth. The foundation of a song is important, so it makes sense to invest in an instrument that speaks to your style. Regardless of your needs, there’s definitely a plugin out there for you.