Vst Plugins For Eq

by admin
  1. Vst Plugins For Equalizer
  2. Vst Plugin Equality (vst3)
  3. Vst Plugins For Equalizer Apo
  4. Vst Plugins For Equalizer Apo
  5. Vst Plugin Equalizer Download

Marvel GEQ is a linear-phase 16-band graphic equalizer AU and VST plugin with multi-channel operation support (supporting up to 8 input/output channels, audio host application-dependent) for professional music production applications. This EQ can be used by audio engineers to apply quick EQ shape adjustments, both to audio tracks and full mixes. Windows 7 and up as 32 / 64 bit VST and VST3, and 64 bit AAX (PT11 and up). MacOS 10.10 (Yosemite) – 10.15 (Catalina) as 64 bit VST, AU, and AAX, Intel-based Macs. ILok account and iLok License Manager installation required. ILok dongle is not required. Online access required for the initial activation of the product and trial.

  1. This EQ VST also gives you mid/side processing, which is becoming more common with this style of plugin. This can be utilized to address high energy to the outside or low energy to the center. The GUI is basic but effective, the bands are versatile, and the processing is incredibly precise.
  2. The Antress Modern Plugins consists of several free VST effect plug-ins for Windows: Modern Compressor. “Marvel GEQ is a linear-phase 16-band graphic equalizer.

16 different EQ plugins

Today the market for VSTeq plugins is saturated and prices have dropped a lot since a company could sell their SSL bundle for over $3000. The marked for new 5 band equalizers is practically gone.

The number of DAW users is higher than ever but that also goes for the number of developers bursting out products.
The value of music has fallen and so has the music production gear used to make it.

Emulating old analog hardware has been popular and is probably still selling.

This article is about software equalizers and we take a look at 16 of them grouped by following styles

  • Solid State Logic
    • SSL Native tools based on the famous large console from the late '80s and forward
  • Neve
    • The fat analog op amp sound from the '70s will always be modern
  • Pultec
    • An all-valve design with cut and boost on the same bands for different curves
  • Modern
    • Clean digital software rewriting the take on a user-friendly plugin with a good sound

SSL style

SSL like equalizers are equalizers emulating analog equalizers from the 80's console.

  • SSL Native Channelstrip V6
  • Metric Halo Channelstrip 3
  • Waves 4000
  • Native Instruments Solid Series

Neve style

A series of equalizers emulating some of the classic designs by Rupert Neve

  • Scheps 73
  • VEQ4
  • Stillwell Audio 1973

Modern digital style

Modern digital equalizers developed with optimized GUI and multiple bands.

  • Izotope Inc EQs
  • SSL X-EQ
  • Fabfilter eqs

Pultec style

An old analog Valve based design giving unique features and sound

  • IK Multimedia EQP 1A
  • Nomadfactory AS Pulse

the plugins

Modern eqs with no emulation

Moderne digital plugins that do not try to sound like any old gear has the highest versatility and best GUI options compared to the more or less faithful emulations. Companies like Izotope Inc and SSL have good modern equalizers with a user-friendly GUI.

Fabfilter Pro Q 2 and 3

This has become very popular for its interface and features. Clearly an inspiration for other developers.

  • Multiband up to 24 bands
  • Mouse scroll Wheel features
  • Single-band listen mode
  • New and clever GUI

Izoptope inc Neutron (version 2 and 3)

Izotopes extensive channel strips with multiple bands

The plugin is known for its new technology masking feature that connects instances in a network where you can see analysis from other instances as information.


SSL X-EQ and SSL X-EQ2 is a modern multiband plugin like the Fabfilters. High-quality processing with an SSL sound.

The new Version 2 has a unique band parameter pop-up controller where you easily control most band parameters.

SSL X-EQ 2 has a small but well laid out gui and icons pop-up

Cubase Frequency

Frequency is a good versatile equalizer plugin build into Cubase DAW from version 10 Professional.

This is actually all you need in Cubase

  • 8 bands
    • Stereo and MS
    • Linear option
    • Auto listen mode for isolating a band but not quite as elegant as others
  • Frequency to note on the keyboard

Like a lot of other Steinberg interfaces it is a bit clumsy but the audio processing results are still good

Neve style eqs

This is a classic brand series defined by the selected fixed frequencies and the band widths

Waves VEQ4

Waves VEQ4 is a cpu lightweight plugin with 4 bands emulating old analog gear.

This plugin is suitable for a full mixer setup emulation an all channels analog rack.

Waves Scheps 73

Scheps 73 is a plugin designed with Andrew Scheps. A high quality tool with distinct analog features emulating the original hardware.

A good emulation but a pretty cpu heavy plugin that might need track freeze if used on multi channels. Use it on the important channels.

Waves API 550B

The 550B plugin is a faithfull emulation of the old 500 format discrete 4 band hardware version by API. With overlapping frequencies the 4 bands is very versatile.

An old plugin but it still has a 550B sound and a low cpu usage/latency for a full 48- or 64 channel mixer setup.

Pultec style eqs

A series of emulated valve equalizers with a unique analog design with cut and boost on the same bands.

IK Multimedia EQP 1A

An emulation of a classic valve unit in a different design. It has boost and cut on the same bands the can form musical curves.
It works well for deep bass work. A good plugin for bass drum deep bumps.

Nomad Factory AS Pulse EQ

It sounds fine but the GUI is a little less readable compared to the IK EQP 1A.

SSL style eqs

The SSL is a series of great tools with a certain sound that can do it all

SSL Native Channelstrip V6

SSL Channelstrip V6 is a great plugin that contains an emulation of the channelstrip from 4000 E and G series mixer sections. Sound close to the real console.

Metric Halo Channelstrip 3

An old but still good channelstrip with a SSL like sound with good performance. One of the most CPU efficient of the plugins mentioned here.

Waves SSL 4000

SSL 4000 e was probably the first SSL 4000 emulation done in software. A very cpu lightweight plugin but it has a little latency. The never CLA MixHub has even more of the SSL sound including preamp modeling.

Nomad Analog Studio Rack State EQ

A Nomad Factory version of an analog SSL E strip from the 80´s. The GUI is a bit small but it sounds good.
No VST3 support.

SSL 4000 Channelstrip E

An old plugin emulation of the SSL 4000 E and G. Very lightweight but also very old and overrun by others but if you already own this one, use it.
This tool has a bit of latency but very low cpu usage.

Vst Plugins For Equalizer

Native Instruments Solid EQ

This another bread and butter SSL design from Native Instruments. the GUI is a bit small on a large screen but it has the standard features and easy switch between e and g versions of the design. Zero-latency and a low CPU usage makes this a useful plugin for large projects.

CPU Usage

CPU usage and latency can sometimes be a factor in the process before final mixing. When composing a latency-free setup is much more playable than a setup with latency.

The following image is a screen dump with relative CPU usage comparing 16 equalizers and lower is better.

CPU usage and latency metering from Reaper Daw. Equalizers.
# FX is the number of insert VST plugins in the channel. PDC is Plugin Delay Compensation.

It is good to have a few very CPU lightweight options for composing and other pre-final mixing tasks. According to the CPU usage meter in the image above the Fabfilter equalizer is amazingly low and makes this a no brainer.

When to use what

In a practical reality, most software eqs can solve most tasks but some are better and easier than others. Fixed frequency bands might help the rookies or give a certain character.

There are in fact very few situations where you need to buy a certain plugin.

Plugin selection strategies

Different plugin strategies to go for:

  • Stay with the build-in DAWs equalizers
    • All professional audio workstations are made with what you need for professional mixing
  • Go for what you have
  • Have at least one plugin in every category in the toolbox
  • Ignore the analog emulation jungle and use one modern 'can do it all' plugin
  • Whenever you are bored or stuck, buy a new plugin
    • This is a popular but expensive and emotional strategy. Not exactly advisable but too much is never enough


There is not a plugin mentioned in this article that you should not use. All of them have their use. The newer products are of cause the best in audio quality but also tend to be more most CPU requiring some of the older emulation plugins are still useable.

Other similar articles

For similar articles on different tools check out these:

Disclosure: When you buy through our links, we may get a commission at zero cost to you.

An equalizer is a tool that is used to change the balance of different frequency bands in an audio signal. Equalizers are used to correct or attenuate unwanted sounds (rumble sounds, or a low hum from a guitar amplifier, etc).

The most common use of equalization is using it to adjust the frequency balance of individual instruments and or voice to fit individual elements within the overall frequency spectrum of the mix.

If there is one thing you should learn before using an EQ, it should be selecting good samples or instruments right off the bat, this way, you won’t need to fight with the eq, and thus eqing would be a breeze.

Having said that, let’s go over the best EQ VST plugins I have ever come across, starting with…

1.) MAutoDynamicEQ by MeldaProduction

When we are talking of Dynamics processors, we are majorly referring to compressors, and or expanders, which on its own dynamically manipulates the overall level of audio material, and an equalizer is a tool that is used to change the balance of different frequency bands in an audio signal.

What if we combine both together? Well, that is what MAutoDynamicEQ is all about, it bridges the gap between a Dynamic processor and an equalizer, it is a plugin for manipulating the spectral character, and can also react to input levels, now that we know that, let’s get to know some of its major features…

MAutoDynamicEQ doesn’t just support the ability to work on multiple bands, it also has a separate level processor, so, you can say this plugin is a band and a dynamic processor. All the settings for the band are on the Band Settings window, which is displayed by right-clicking the band number on the equalization graph or on the band list.


It also supports Automatic equalization, it would automatically equalize your recording if off course the recording isn’t too bad right from the start. The way it does this is to first analyze your recording, this can be started by pressing the playback and pressing the Analyse target button, you then get a source or predefine analysis by using the load button; what you want the end result to sound like and you finally click equalize, and it is as simple as that.

The automatic equalization is powered by Melda Production’s Filter Adaption technology a.k.a MFA , the good thing about this is that it can perform your equalization for you based on an analysis of your recording, another recording, or even your own ‘drawn-in’ spectral content!

►Key Features:

  • The most advanced user interface on the market – stylable, resizable, GPU accelerated
  • Unique visualization engine with classic meters and time graphs
  • exceptionally versatile modulators
  • Adjustable oscillator shape technology
  • 4 multiparameters
  • M/S, single-channel, up to 8 channels surround processing…
  • Smart randomization
  • Automatic gain compensation (AGC)
  • Safety limiter
  • Adjustable up-sampling 1x-16x
  • MIDI controllers with MIDI learn
  • Very fast, optimized for SSE/SSE2/SSE3 processors
  • Global preset management and online preset exchange
  • Supports VST, VST3, AU, and AAX interfaces on Windows & Mac, both 32-bit and 64-bit
  • No dongle nor internet access is required for activation
  • Free-for-life updates

►System Requirements:


  • Windows Vista / 7 / 8 / 10 (32-bit or 64-bit)
  • VST / VST3 / AAX compatible host (32-bit or 64-bit)
  • Intel/AMD processor with SSE2 support

Always use 32-bit plugins in 32-bit hosts or 64-bit plugins in 64-bit hosts!

64-bit plugins can’t work in 32-bit hosts even if the operating system is 64-bit. Do NOT use 32-bit plugins in 64-bit hosts. They would have to be bridged and can become slow and unstable.

Mac OS X

  • Mac OS X (10.7 and newer, 32-bit or 64-bit)
  • VST / VST3 / AU / AAX compatible host (32-bit or 64-bit)
  • Intel/AMD processor with SSE2 support

2.) T-Bone by Boz Digital Labs

T-Bone is a slant EQ by Boz, and if you know what slant EQ is, then you should know that they are built to automatically boosts one end of the frequency spectrum while attenuating the other end.

Using this Eqing technique is useful for brightening or darkening your tracks very quickly, also, it is an awesome tool for changing the tone of your track without changing the overall level, which isn’t the case in traditional EQ plugins where when boosting a certain frequency, the overall sound gets louder, so, by using this plugin, you can ensure you are using the right tool for the right job.

Another stuff I find really interesting is the fact that it comes bundled with a coupled of good features, e.g, you have a high pass filter with resonance control, low pass filter with resonance.

Additionally, it features a Boom and Harsh Control which lets you control the level of harshness when boosting the levels in a certain frequency.

►System Requirements:

Available Formats

  • Windows (32/64): VST2, VST3, RTAS, AAX Native
  • Mac (32/64): AU, VST2, VST3, RTAS, AAX Native

3.) KickBox by SoundSpot

If you are into modern music genres e.g Progressive House, Electro, etc, then you know the importance of kick drum, in fact, they are the backbone of many modern music and they can either kill or make your music sound great.

A well-mixed kick drum has a warm sounding low end, doesn’t conflict with the rest of the mix, which is what Kickbox by soundspot is made for, they focus on simplifying the mixing process for any modern kick drum.

The KickBox is modeled after analogue filters and separates the relevant frequency ranges in a very transparent way. KickBox can help you get your kicks sounding extremely tight in a matter of just a few clicks.

Vst Plugin Equality (vst3)

The good thing about this plugin is that it works smoothly on both mono and stereo tracks, and the EQ section of the KickBox has been stepped to target the most common areas of the frequency spectrum, allowing you to achieve precise balanced adjustments in a matter of a few clicks.

Each band has a frequency and db control and can be operated with a simple click. This allows you to run through the values without looking at the plugin, so you can trust your ears and not your eyes.

It also features a built-in compressor that has been designed with a completely unique algorithm that has been designed to get your kick drums sounding punchy and clear.

And the most important part of the plugin to me is the presets, you can use the presets as the foundation of whatever you want to achieve, and you tweak it to your tastes, enjoy.

►Key Features:

  • Fast and intuitive workflow.
  • Analog modeled filters.
  • Suited for electronic and acoustic kick drums.
  • Extremely light on CPU and RAM.

►System Requirements:

  • macOS (Catalina not supported) and Windows
  • VST
  • VST3
  • AU
  • AAX (Pro Tools 11.0.2 or higher)
  • RAM: 8 GB RAM or more is recommended. Plus at least 8 GB hard disk space for installation.
  • Processor: Intel Core 2 Duo, AMD Athlon 64 X2 or newer.
  • Licensing: Internet access for activating the licence key. Please ensure any outgoing connection blockers are deactivated.
  • Sample Rates: Supported sample rates: 44.1, 48, 88.2, 96, 176.4, and 192 kHz, in both mono and stereo.

4.) FabFilter Pro-Q 3 EQ

Fabfilter isn’t new to the game, and their product are one of the best in the music production industry.

Pro-Q 3 offers everything that a demanding engineer could wish for: top quality linear phase operation in addition to the zero latency and unique Natural Phase modes, Mid/Side processing, variable stereo placement of EQ bands, an intelligent solo feature, optional Auto Gain, and a built-in, fully customizable spectrum analyzer

I really dig the design of the Pro-Q 3, it helps you achieve your sound in the quickest way possible. Via the large interactive EQ display, you can create bands where you need them, enable dynamic EQ for any band, and select and edit multiple bands at once.

►Key features:

  • Highest possible sound quality
  • Up to 24 EQ bands
  • Optional Dynamic EQ mode for all bands (Bell and Shelf shapes), using any slope setting and with perfect analog matching
  • Operates in zero latency mode, linear phase mode with adjustable latency, or the unique Natural Phase mode
  • Flat Tilt filter shape, a flat tilting correction curve over the whole audible frequency spectrum
  • Spectrum Grab: just grab and adjust a peak in the real-time spectrum analyzer right away!
  • Different interface sizes and additional Full-Screen mode
  • Filter shapes: Bell, Notch, High/Low Shelf, High/Low Cut, Band Pass, Tilt Shelf, Flat Tilt
  • Universal filter slope support for all filter types, up to 96 dB/oct
  • EQ Match feature to automatically match the spectrum of another Pro-Q 3 instance or an external signal
  • Built-in spectrum analyzer with Pre-EQ, Post-EQ and external spectrum visualization, adjustable range, speed, resolution, tilt, freeze, and collision detection
  • Auto Gain and Gain Scale
  • Optional piano roll display to quantize EQ frequencies to musical notes
  • Different display ranges: 3 dB and 6 dB ranges for mastering, 12 dB and 30 dB for mixing
  • Intelligent solo mode makes it easy to find problem frequencies and hear the effect of a band
  • Phase Invert option to change polarity
  • Large output level meter with peak level readout
  • Extreme CPU optimization: Pro-Q 3 uses very little CPU and memory, so you can use hundreds of instances in a session
  • GPU-powered graphics acceleration
  • Double-click text entry of parameter values
  • Supports common Pro Tools hardware control surfaces
  • Smart Parameter Interpolation
  • Sample-accurate automation of all parameters
  • Extensive help file with interactive help hints
  • Available in VST, VST3, Audio Units, AAX Native, and AudioSuite formats (all both 64-bit and 32-bit)

►System Requirement:


  • 64-bit: Windows 10, 8, 7 or Vista
  • 32-bit: Windows 10, 8, 7, Vista or XP
  • VST 2/3 host or Pro Tools


  • OS X 10.8 or higher (64-bit only)
  • AU or VST 2/3 host or Pro Tools
  • Intel processor

5.) TDR Nova GE by Tokyo Dawn Labs

This is similar to Tokyo Dawn Labs SlickEQ, but NOVA GE is more powerful, it is not only a parallel dynamic equalizer but a includes a flexible dynamics processing options allowing the coverage of an impressively wide range of applications.

Vst Plugins For Equalizer Apo

Be it a master lacking density, muddy mixes, the drum bus asking for more crispiness, snare looking for smark, or a sibilance problem in your perfect take: NOVA is your ultimate goto plugin.

Vst Plugins For Equalizer Apo

It includes a total of six dynamic EQ bands, each with independent dynamics processing ranging from downward compression over upward compression, upward expansion, up to downward expansion (including gating).

In addition, NOVA GE features an advanced “Smart Operation” panel, which offers a unique way of automating and orchestrating the plugin for spectral matching, resonance removal, and much more.

►System Requirements:


  • Win XP SP2 or above
  • VST 32-bit / 64-bit
  • AAX 64-bit


  • Mac OS X 10.6.8 or above
  • VST, AU, AAX 32-bit / 64-bit

6.) Equalize 2 by Acon Digital

Acon Digital Equalize is yet another parametric equalizer plug-in that isn’t only easy to use but also offers great flexibility in your mixing workflow.

What this equalizer does better is featuring an adjustable frequency, gain, and bandwidths, on top of this, you can also filter slope for each band. The filter slope can be set anywhere from 3 dB to ultra-sharp 120 dB per octave.

One of the things I love about this plugin is the way you can operate it. It features as a zero-latency plug-in when using the minimum phase mode or you can choose to preserve the phase relationships in the linear phase mode.

If you’ve ever used Fabfilter Equalizer, then I’ll say the user interface is somewhat similar to Acon Digital Equalizer, the band parameters can be adjusted using handles directly in the graphical representation of the frequency response, including bandwidths and filter slopes.


A flexible real-time analyzer lets you monitor every aspect of the processing. You can easily switch between full, mid, side, left or right channel processing for each band, and Equalize automatically routes the audio signal internally to ensure the best results and lowest possible latency.

►Key Features:

  • Available as VST, VST3, or AAX plug-ins on PC (Windows)
  • Available as VST, VST3, AAX, or AU plug-ins on Apple Macintosh (OS X)
  • Native 32 bit or 64-bit versions of all plug-ins are available
  • Supports sampling rates up to 96 kHz
  • Supports multi-channel formats such as 5.1 and 7.1 surround
  • Up to twelve equalizer bands
  • Eight different band filter types (low cut, low shelf, peak, tilt, bandpass, notch, high shelf, and high cut)
  • Band frequency, gain, bandwidth, resonance, and filter slope is freely adjustable for each band
  • Three different filter modes, minimum phase, linear phase, or the novel mixed phase
  • Adjustable latency and pre-ringing time in mixed-phase mode
  • Zero-latency in minimum phase mode
  • Channel mode (mid, side, left, right, or full processing) can be set independently for each band
  • Multiple selections of bands
  • Resizable graphical user interface
  • Solo and bypass modes
  • Optional automatic make-up gain
  • Optional gain to bandwidth linking
  • Two spectrum analyzers that can analyze the input or output signal from the mid, side, left, or right channel
  • Graphical visualization of the equalizer frequency response
  • Preset manager and a large number of factory presets
  • Save, load, and categorize user presets

►System Requirements

Vst Plugin Equalizer Download

PC Version (Windows)

  • A Pentium IV or higher
  • Minimum 256 MB RAM (1 GB recommended)
  • Windows 10, 8 or 7
  • A host application that is compatible with VST, VST3, or AAX (Pro Tools 10.3.5 or higher)

Macintosh Version (OS X)

  • 64 bit Intel CPU
  • OS X 10.7 or later
  • A host application that is compatible with AU, VST, VST3, or AAX (Pro Tools 10.3.5 or higher

Useful Related posts: